Tag Archives: Rome

Fellini vs. Bob Guccione and The Caligula Party

18 Aug

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In my last post I expressed my respect for Fellini and his deep understanding of the Italian psyche. I praised his work in Satyricon,for its artistic depiction of ancient Rome in the 60’s ‘I have thought about ancient Rome for days and I was reminded of the other depiction of Rome,the film Caligula by Bob Guccione. Mr Guccione, commands the Penthouse empire [note the use of the word Empire] In 1980 10 years later Fellini had become quaint, he released his epic Caligula,an extremely graphic and not so artistic view of ancient Roman life.

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Caligula was historically a sadistic tyrant gone mad with his absolute power,he knew no bounds,which in three years led to the bloody assassination of him and his family. The early 80’s was the ideal period to re introduce his legend of sexually charged power mad excess. Wall street was flush with cash. The 30 something boomers were in their prime. Everyone was driving BMW’s, big shoulders and big hair were in and Dynasty was THE show to watch. We were all confident that the future was secure. The “Empire” was thriving so “Let the good times roll”

I was working as the host of the Black Banana a somewhat notorious restaurant and night club in Philadelphia. I recall clearly the managements excitement with the film. The perfect opportunity to introduce new debauchery to the already loose clientele. The “Caligula party” has become legend among the now 60 somethings who attended. Pull out your toga and laurel wreath! we are going to recreate Rome. I was charged with the responsibility of turning the third floor into the Emperors living quarters. I divided the large space into multiple spaces with the aid of yards and yards cheese cloth that only slightly provided privacy for the guests who in groups settled in upon pillows and carpets lit by Sterno cans. The entrance contained a large damaged bronze of a naked Mercury. The opening party itself was entertaining but could not hold a Sterno can to the resulting demand afterward. The Caligula Room was on the mind of all those who did not attend the party. The nightly attending Plebeians all wanted to experience our Guccione version of the eternal city. I hosted, of course [in my toga] and chose those who would follow me upstairs to our private first century playroom [profiling was not a problem in a private club] if you were a wanna-be Patrician,cute and had money you were allowed entrance. I was also the waiter and hefty tips were mandatory. I loved the 80’s.

Needless to say I was witness to quite a few memorable tableau by those libertine time travelers visiting Rome. The news of the goings on traveled fast and unfortunately spelled the fall of Rome, the Liquor Control Board  were the barbarians at the gate.

Is it history or porn….No it was the 80’s…  http://www.youtube.com/watch?v=lj0BnsF1FXs    have a look at the trailer [incidentally I still have my toga]

Loving Frederico

16 Aug

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I’ve been thinking lately how much I owe to Federico Fellini. Back in the 70’s shortly after I graduated from high school and migrated to the big city, Philadelphia [not that big,but bigger than Cleveland] I embarked on a creative input marathon. F.F. was one of my first targets. I was living the art student life of poverty, drugs and “art” films. Fellini was not readily available in Cleveland,but he sure was in the art film houses in Philly.

I remember the first time I saw “La Dolce Vita” They sure didn’t make movies like that here in the U.S.A. Marcello Mastroianni‎ was the coolest guy I had ever seen,those slim Italian suits and sunglasses…What have I been missing?.When he and Anita Ekberg went for a dip in the Trevi fountain I was blown away. So what do these Italians know that I don’t.

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I need to see more of these..I was hooked on Frederico. I threw myself into 81/2. I was starting to understand the masters view, his love/ hate for Italian society that was always tempered with compassion, no matter how grotesque his visuals became. I really loved 81/2 more than Dolce. A parade of characters seen through the eyes of Marcello [Frederico’s surrogate] A man totally at odds with female motives.

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81/2 a study in contrasts….Whats a guy going to do?

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Amacord..  S’il vous plait, In Love with Love

Amacord still holds a place in my opinion as Fellini’s most tender and compassionate film. A tour through the artists childhood memories.His family relations,the highly charged emotional traits of Italian mothers and the rise of Il Duce. The pubescent desires of young boys and a view of the women who showed them the way. This film also explored the desires of those same women. Especially those of S’il vous plait, a beautiful romantic, in love with love. Blind to reality she tries to capture the life of American cinema sirens  only to ultimately realize that life is not a film. The complexity of multiple story lines blew me away as did the unforgettable musical scores by Nino Rota [a huge subject in its own right]. Amacord’s score is legendary. The score become de’rigeur during the height of the 70’s Philadelphia restaurant revival,especially among those who brunch.

                                                  Have a listen               http://www.youtube.com/watch?v=us3Kgy52XAg&list=PL59EF017FE2E03CBD

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An extraordinary film on all counts.

  Satyricon was without a doubt Fellini’s tour de force visually. Tracing the adventures of two young men through the web of intrigues provided by ancient Rome. There are so many extraordinary scenes it is hard to even begin a discussion. Theaters, brothels, baths, villas, ships, deserts, arenas, dining halls, the list goes on and on. A visual feast. The images are permanently embedded in my minds hard drive. The artistry of each scene is a barometer by which I still measure my own work.

The films release in 1969 caused a bit of a stir,its depiction of pan sexuality in a guiltless ancient roman society was a revelation for me, you name it, he showed it. The film was daring to say the least especially in Catholic Italy. Satyricon had something for every persuasion. I loved it, the liberated 70’s lay ahead of me and I was ready to join in. “When in Rome”

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When in Rome

Roma an unflinching look at modern Rome. The perfect beauty,the low vulgarity,the volatility of Italian emotion and the Roman Catholic faith all of Fellini’s favorite subjects.

The working girls

The working girls

Roma’s crowning achievement is the Papal fashion show, the art direction is superb. Each costume represents a different aspect of faith, the grandeur,the pageantry,the fear of God and the hypocrisy, an unforgettable statement. Must be seen to appreciate…http://www.youtube.com/watch?v=CYzRL9YIswQ

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Ecclesiastical Fashions

 The scope of Fellini’s creativity is astounding. The closing scene of Roma is brilliant, a motor cycle tour of Rome at night. The perfect contrast of old and new in the Eternal City.   http://www.youtube.com/watch?v=UFTiKYxeICU… 

Volumes have been written on the films of Fellini, I have only scratched the surface in this posting. Thank you Frederico for opening my eyes to the boundless possibilities of ones creativity. You are always with me.